TONDA PF
CHRONOGRAPH 40 MM

MECHANICAL GRACE;
ABSOLUTE CHRONOMETRY

Time, reflected in Mineral Blue. A dial that shifts like the sky, luminous, textured, and full of quiet energy.

Inside, the PF070 movement beats at 5 Hz, a rare high-frequency engine certified by COSC. Outside, the 40 mm case brings everything into focus. Just perfectly proportioned. A chronograph reduced to its purest lines, for those who wear elegance as second nature.

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INSIDE THE PF070

High frequency. Absolute control.

At 36,000 vibrations per hour, the PF070 beats faster than most , a 5 Hz tempo designed for precision down to the split second.

No modules. No compromises. An integrated architecture with a column wheel at its core, ensuring fluid, exact chronograph control.

A variable-inertia balance keeps performance rock-steady, while every bridge is hand-bevelled, every surface refined. Even the 22ct gold rotor is openworked ,because beauty, here, goes all the way through.

WHERE CLARITY MEETS CHRONOMETRY

ART OF GUILLOCHÉ
A SIGNATURE OF TIME AND LIGHT

At Parmigiani Fleurier, guilloché is not ornament, it’s heritage made visible. Executed by hand on century-old rose engines, this craft demands rhythm, instinct, and patience. Each barleycorn pattern is born not from a machine, but from the gesture of a master artisan.

On the TONDA PF Chronograph 40 mm, guilloché takes on new meaning. It amplifies the depth of the Mineral Blue, a tone both natural and elusive — and evokes the movement of wind over water, of sky over sea. It’s not static. It breathes. It reflects the invisible. Here, guilloché becomes more than decoration. It becomes atmosphere, and a mirror of time itself.

Guido Terreni, CEO

“This chronograph is a distillation of our philosophy: mechanical excellence made serene. Its integrated 5 Hz calibre is a true feat of horology. Beyond performance, what defines it is the harmony of its presence.

It’s a watch of great personality and refinement, luminous in both craft and spirit, a contemporary classic for those who see time not as pressure, but as inner space.”